The mad, 'bad' world of Ragtime
Director of the Mead Witter School of Music and music historian Susan C. Cook shares a brief history of Ragtime music and its impact on American culture.
Johannes Wallmann in The Capital Times: Jazz inspired by climate change
Director of Jazz Studies discusses "Elegy for an Undiscovered Species," his latest album release.
Mead Witter School of Music student scores a Grammy Award
Graduate student Sarah Brailey's performance of "Smyth: The Prison" wins in the category of Best Classical Solo Vocal Album.
David Ronis in Madison Magazine: Incoming talent and shifting priorities guide University Opera’s upcoming repertoire
Some troupes, made more nimble by necessity, can and do successfully adapt as conditions warrant.
Listen to this - 2021
UW-Madison Mead Witter School of Music faculty offer suggestions for your listening pleasure.
Green screen saves the opera
As part of a series, L&S is taking a look at how professors and students are adapting to teaching and learning during the global coronavirus pandemic. UW Opera leverages sfx technology to stage a virtual production .
Party of One
Percussionist Tony Di Sanza plays all the beats for the Mead Witter School of Music.
Performing the Wisconsin Idea
With the opening of the Hamel Music Center the future looks bright for the Mead Witter School of Music, where the work has always been about collaboration and the joy of connecting with others.
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