Mayrent Institute home to oldest surviving Yiddish music recordings

July 8th 2015
Arts & Humanities
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The University of Wisconsin-Madison's Mayrent Institute for Yiddish Culture has acquired the 12 earliest known cylinder recordings of Yiddish music, released c.1901 by the one-time Chicago-based Thomas Lambert Company.

The recordings enhance the institute's offerings in combination with the Mayrent Collection of Yiddish Recordings, a repository of more than 9,000 78rpm recordings of Yiddish and Jewish music, at UW-Madison's Mills Music Library.

These rarest of earliest American recordings trace Yiddish theater's journey from its European provenance to its reinvention as a major American venue. "Rozhinkes mit Mandlen" ("Raisins and Almonds"), the evergreen lullaby composed in 1880s Romania by the father of the Yiddish theater, Abraham Goldfaden, and recorded six years before his death in the New World, echoes continuity, while others of the two-minute recordings clue us in to the diversity of the Yiddish stage's pioneer participants.

The remarkable sound quality of the recordings is due to the transfer skills of the historian/sound engineer/collector David Giovannoni (M.A.'80, Communication Arts), who made the collection available. It is also thanks to the pristine condition of their original celluloid surface, and to its inventor.

In 1900, Thomas Lambert began recording on celluloid, an early form of plastic that produced superior sound and resiliency. Unlike Thomas Edison's 1877 invention — metal followed by wax cylinders that could be played only a handful of times before wearing out — Lambert's cylinders were labeled "indestructible." He, unfortunately, was not; frivolous patent infringement lawsuits initiated by Edison drove Lambert out of business by 1906.

In the end the Thomas Lambert Company's 1,008-song catalog came to reflect mainstream popular music. Yet half its first releases — some 40 in all — were Yiddish. The extant dozen has found its rightful home. The Mayrent Institute is cooperating with Grammy Award-winning Archeophone Records, which will reissue the recordings later this year under the title Attractive Hebrews: The Thomas Lambert Yiddish Cylinders 1901-1904.

"We are profoundly grateful to the Mayrent Institute for inviting us to publish these precious recordings," Archeophone Records principal Richard Martin says. "Their leadership in preserving Yiddish heritage pairs brilliantly with our skill in the reissue market of ancient audio. The result will be a top-flight production that looks and sounds great and puts the recordings in their proper context."